{"id":17574,"date":"2024-05-09T11:05:10","date_gmt":"2024-05-09T10:05:10","guid":{"rendered":"https:\/\/actfestival.com\/?page_id=17574"},"modified":"2024-05-29T10:32:13","modified_gmt":"2024-05-29T09:32:13","slug":"k-a-o","status":"publish","type":"page","link":"https:\/\/actfestival.com\/en\/k-a-o\/","title":{"rendered":"K(-A-)O"},"content":{"rendered":"
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BUY TICKETS FOR THE SESSION<\/span><\/a><\/div>
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Activity programmed in collaboration with the TopARTE program of the Guggenheim Museum Bilbao.<\/p>\n<\/div><\/div>

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Theme of piece is “symbolization of feelings.” Based on my experiences I felt that human <\/span>emotional expressions become poorer in the information society. On internet we can have neutral face <\/span>even if we are happy or sad during a communication, or pretend another emotion which we don\u2019t feel <\/span>in the present moment. But we send emoticons and symbols according to our own feelings. While <\/span>doing so, all the infinite expressions and emotion of a human being become poorer and less complex.<\/span>
\n” K(-A-)O \u2018\u2019 throw a question to you, how can we get back our own feelings?<\/span><\/p>\n<\/div><\/div>

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Company:<\/strong> Kenji Shinohe<\/a><\/span>
\nLength:<\/strong> 15′<\/span>
\nCategory:<\/strong> Dance<\/span>
\nOrigin: <\/strong>Germany\u00a0<\/span>
\nCast: <\/span><\/strong>Kenji Shinohe (Creator & Performer)<\/span><\/span><\/p>\n<\/div><\/div>

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Kenji Shinohe is a Japanese choreographer and dancer, based in Wuppertal. He has danced <\/span>Ballroom dance with his grand mother since early childhood. He studied dance philosophy & art <\/span>history in Japanese university then has MA. In 2015, He got a scholarship of International exchange <\/span>student program to study at Folkwang Universit\u00e4t der K\u00fcnste in Essen, GERMANY. Since 2019 he is <\/span>working internationally as a freelance choreographer and dancer, being active in the performance <\/span>scene in NRW.<\/span><\/p>\n

In his artistic work he is interested in bringing together body movements in relation to structures of <\/span>music, approaches of extending the dance expression through the idea of metafictional techniques. <\/span>His choreography pieces are invited and performed in many theater over 15 countries 45 cities.<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"BUY TICKETS FOR THE SESSIONActivity programmed in collaboration with the TopARTE program of the Guggenheim Museum Bilbao. Theme of piece is “symbolization of feelings.” Based on my experiences I felt that human emotional expressions become poorer in the information society. On internet we can have neutral face even if we are happy or sad during...","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-17574","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/actfestival.com\/en\/wp-json\/wp\/v2\/pages\/17574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/actfestival.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/actfestival.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/actfestival.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/actfestival.com\/en\/wp-json\/wp\/v2\/comments?post=17574"}],"version-history":[{"count":5,"href":"https:\/\/actfestival.com\/en\/wp-json\/wp\/v2\/pages\/17574\/revisions"}],"predecessor-version":[{"id":17908,"href":"https:\/\/actfestival.com\/en\/wp-json\/wp\/v2\/pages\/17574\/revisions\/17908"}],"wp:attachment":[{"href":"https:\/\/actfestival.com\/en\/wp-json\/wp\/v2\/media?parent=17574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}